Turn off subtitles on netflix
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While Netflix did respond to say that it would investigate these issues, it has shone a spotlight on how poor many on-demand services, including Sky and Amazon, have been on subtitling. It’s also not the job of subtitling or captioning services to “clean up” language. Anything less is disrespectful, even condescending, those of us who rely on it. Subtitling best practice – as it should be understood by now – is that every word that is uttered on a programme should be displayed for deaf viewers to see and comprehend. But it seems that on-demand services are making many of the same mistakes again. In fairness, those who wrote the subtitles for the early teletext 888 service used to do the same thing until viewers, too, gave them hell and they got the message.
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This method can struggle with things like unusual names of people, such as the ex-Manchester United footballerĪdnan Januzaj, who famously became “Janet Jazz Jazz Jam”
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In other episodes, any expletives that were uttered would often not display, presumably in a misguided concern over the delicate sensibilities of deaf people. They reported that the series’ captions were being altered, supposedly for clarity. So it’s a bit maddening to learn that, some 40-odd years after the introduction of teletext 888 subtitles, Netflix has come in for heavy criticism over a practice that those early teletext-based subtitling services were once guilty of: altering or editing captions.Ī mini-Twitter storm was generated when viewers of Netflix complained about the service misrepresenting, censoring and simplifying dialogue from a variety of shows, including Queer Eye. I have started to use unprescribed drugs to help me focus.Getting into or staying in the workplace can be precarious for a lone parent.‘I'm dating a guy I really like but am tempted to sleep with someone else’.
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#Turn off subtitles on netflix tv
Among the reasons for this popularity among non-deaf viewers:ġ) English might be not their first language Ģ) to allow them to follow something on a TV being viewed in noisy environments, or without disturbing or distracting others ģ) to enable them to understand dialogue that might be spoken very quickly, with accents, mumbling or background noise. This is of no surprise to me – just ask my (hearing) wife. A study from a few years back by UK broadcasting regulator Ofcom showed that 80 per cent of TV viewers who used subtitling services had no hearing loss at all. It’s been shown not just to benefit deaf and hard of hearing. Worse still, technical issues meant that were often interminable delays between what we might hear and what we read on the screen.īut while old-school teletext died with the switching off of the analogue TV signal in 2012, TV subtitling has become very much a mainstream service today. I couldn’t follow the radio to any meaningful degree, either, so the introduction of subtitling via this new-fangled teletext service made a monumental difference to my enjoyment of television.Īll of a sudden shows such as Doctor Who, which I had been intrigued by if not totally engaged with (it’s hard to lip-read a Dalek, after all), suddenly became an obsession.īut the service was rarely perfect and was very patchy for a long time. But I would have struggled to follow much of it, even with the sound turned up. Late 1970s and early 1980s Northern Ireland was a bleak place in terms of popular culture, so the TV was an important medium. Besides the novelty of seeing news and information in colourful, blocky text via BBC’s Ceefax, ITV’s Oracle and RTÉ’s Aertel teletext service, it provided for the closed caption subtitling of popular TV shows for the first time.Ī weekly column by writers with a disability. I remember clearly the day, sometime back in the late 1970s, when my dad brought home a new TV with an intriguing new feature: teletext.